{"id":3549,"date":"2007-03-25T23:25:41","date_gmt":"2007-03-25T23:25:41","guid":{"rendered":"http:\/\/www.paradisec.org.au\/blog\/2007\/03\/a-week-of-indigenous-australian-languages\/"},"modified":"2011-02-05T07:47:05","modified_gmt":"2011-02-05T07:47:05","slug":"a-week-of-indigenous-australian-languages","status":"publish","type":"post","link":"https:\/\/www.paradisec.org.au\/blog\/2007\/03\/a-week-of-indigenous-australian-languages\/","title":{"rendered":"A week of Indigenous Australian languages"},"content":{"rendered":"<p>It&#8217;s been a week for Indigenous Australian languages here in the Sydney area &#8211;  the annual  <a href=\"http:\/\/www-personal.arts.usyd.edu.au\/jansimps\/Ozlgs-program-2007.html\">Australian languages workshop<\/a> at Pearl Beach brilliantly directed by Joe Blythe, a new film on teaching NSW languages in schools, and finally the launch of Jennifer Biddle&#8217;s new book <a href=\"http:\/\/www.unswpress.com.au\/isbn\/0868409944.htm\"><em>Breasts, Bodies, Canvas: Central Desert Art as Experience<\/em><\/a> (UNSW Press).<\/p>\n<p><!--more--><br \/>\nThe Pearl Beach workshop had lots of good papers &#8211; see some comments by <a href=\"http:\/\/langguj.blogspot.com\/2007\/03\/blackwood-by-beach.html\">Bulanjdjan<\/a>.   And the discussion was good &#8211;  the questions were extending and building questions, and not just peacock tail swishing.   I was very taken with Brett Baker&#8217;s paper on <a href=\"http:\/\/www-personal.arts.usyd.edu.au\/jansimps\/Ozlgs-program-2007.html#baker\">monogesturality<\/a>, because it provides the hope of a new way of explaining the strange behaviour of homorganic nasal stop clusters.   And then there was Aaron Corn and Joe Gumbula&#8217;s fascinating paper on imagery in songs in Arnhem Land. This ended with  Joe singing and Aaron accompanying him on the didgeridoo.  Wonderful!<br \/>\nNext year Canberra people will be organising the workshop.  Watch this space&#8230;.<br \/>\nThen at the Friday <a href=\"http:\/\/www-personal.arts.usyd.edu.au\/jansimps\/seminars-sem1-2007.html#rhydwen\">Linguistics department<\/a> seminar, Mari Rhydwen showed a new film made under the auspices of the <a href=\"http:\/\/www.curriculumsupport.education.nsw.gov.au\/secondary\/languages\/aboriginal\/\">NSW Department of Education and Training Aboriginal Languages section<\/a>. about teaching Gumbaynggirr language in schools in the north of NSW. Some good modelling of planned energetic teaching.<br \/>\nJennifer Biddle&#8217;s launch took place at the School of Arts in late afternoon in a leafy courtyard.  Four senior Lajamanu women, Lily Nungarrayi Hargraves, Myra Nungarrayi Herbert, Rosie Napurrula Tasman, Mollie Napurrula Tasman sang <em>Kurlukuku<\/em> (diamond dove) songs. They danced painted up with elegant detailed designs, and wore red skirts, red headbands and red armbands decorated with white feathers.  Alas, lack of a microphone meant we didn&#8217;t get to hear much of what they said afterwards, or of Jennifer&#8217;s own speech &#8211; given in Warlpiri and translated into English.  But the long queue for buying the book meant that I got to dip into the book &#8211; some lovely photographs complementing musings on writing, graffiti, painting as inscription.  Like most linguists, I have no doubt that alphabetic writing is different from painting &#8211; but it&#8217;s worth standing back and examining the reasons for this belief.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s been a week for Indigenous Australian languages here in the Sydney area &#8211; the annual Australian languages workshop at Pearl Beach brilliantly directed by Joe Blythe, a new film on teaching NSW languages in schools, and finally the launch of Jennifer Biddle&#8217;s new book Breasts, Bodies, Canvas: Central Desert Art as Experience (UNSW Press).<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11],"tags":[],"class_list":["post-3549","post","type-post","status-publish","format-standard","hentry","category-australian-linguistics"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/posts\/3549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/comments?post=3549"}],"version-history":[{"count":1,"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/posts\/3549\/revisions"}],"predecessor-version":[{"id":4368,"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/posts\/3549\/revisions\/4368"}],"wp:attachment":[{"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/media?parent=3549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/categories?post=3549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.paradisec.org.au\/blog\/wp-json\/wp\/v2\/tags?post=3549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}